Mont-Blanc mountain range painting by Ferdinand Hodler with a pink cloud in Symbolist style, highlighting Parallelism.
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Ferdinand Hodler: Master of 3 Iconic Styles in Swiss Symbolism

Born: March 14 1853, Bern Switzerland  

Death: May 19 1918, Geneva Switzerland

Art Movement: Art Nouveau and Symbolism

Nationality: Swiss

Influenced by: Albert Anker, Alexandre Calame, Velázquez and Poussin

Teachers: Barthélemy Menn

Self-Portrait with Opened Eyes, 1912

Life and Career of Ferdinand Hodler

Ferdinand Hodler, a pivotal figure in Swiss art, was born in Bern on March 14, 1853, and left a profound legacy upon his death in 1918. He rose from a challenging youth to become one of the most celebrated Swiss painters, recognized for his expressive style and significant contribution to the Symbolist movement.

Legacy and Recognition

Hodler’s oeuvre left an indelible mark on the art world, securing his status as a key proponent of modern Swiss art. Upon his death in Geneva in 1918, his work continued to resonate, influencing generations of Swiss painters. His approach, characterized as “parallelism,” is celebrated for its rhythmic patterns that mirror the symmetries found in nature. Notably, his paintings are housed in prestigious collections, including the Kunstmuseum in Bern, which is a testament to his enduring popularity and the respect afforded to him within artistic circles.

Influential Connections

Hodler’s relationships with key figures in the art world profoundly shaped his career. He studied under Barthélemy Menn and was significantly influenced by masters such as Hans Holbein, Titian, Poussin, and Velázquez. These connections exposed him to a wide spectrum of artistic traditions and techniques, which he integrated into his own unique style. Furthermore, Hodler’s work garnered acclaim at important art venues such as the Berlin Secession and the Paris Salon, where he intersected with the broader European art scene, thus cementing his place among the most influential artists of his time.


Frequently Asked Questions

In this section, readers will find concise answers to common inquiries regarding Swiss painter Ferdinand, his trademark artistic style, and his significant contributions to art history.

What style is Ferdinand Hodler most associated with?

Ferdinand Hodler is most associated with the Symbolist style, which he blended with a modernist approach. His works often feature landscapes, portraits, and allegorical scenes depicting a range of emotional and existential themes.

How did the concept of Parallelism influence Ferdinand Hodler’s work?

Hodler’s concept of Parallelism, a term he coined, emphasized rhythmic repetition and symmetry within his compositions, reflecting the harmony and order he observed in nature. This became a notable characteristic in his later works, infusing them with a unique rhythm and structure.

What are some of the most iconic landscapes painted by Ferdinand Hodler?

Among Hodler’s iconic landscapes are “The Woodcutter” (also known as “Der Holzfäller”), “Lake Thun with Symmetrical Reflections,” and “View into Infinity.” These landscapes exhibit his distinctive Parallelism and mastery of colour and light.

Where can I find Ferdinand Hodler’s artwork for sale?

Ferdinand Hodler’s artworks are available at various art auctions and galleries specialising in 19th-century European art. Prospective buyers should consult reputable art dealers and auction houses for available pieces.

Can you describe the significance of ‘The Night’ by Ferdinand Hodler?

‘The Night’ by Ferdinand Hodler is a significant painting that marked his transition towards Symbolism. The work depicts several sleeping figures, enveloped by a powerful figure symbolizing night itself, and encompasses themes of vulnerability and the unconscious.

What characteristics distinguish Ferdinand Hodler’s portrait ‘The Shoemaker’?

In the portrait ‘The Shoemaker,’ Hodler’s focus on realism is evident, notably in the meticulous depiction of the subject’s features and clothing. The portrait exemplifies Hodler’s early realistic style before his shift to Symbolism and Parallelism.

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